John Berger, art critic, novelist and long-time smoker, joins forces again with Turkish writer and illustrator Selçuk Demirel. This charming pictorial essay reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society’s attitude to smoke is both paradoxical and intolerant.
The essays of Michel Eyquem de Montaigne, the 16th-century French philosopher, are an obvious addition to the Notting Hill Editions ‘Classic Collection’ due to the masterful balance of intellectual knowledge and personal story-telling conveyed in his writing. He popularised the genre of the essay form, coining the term from the French verb ‘essayer’, translated literally as attempts or trials. This selection is introduced by Tim Parks and is from the M A Creech translation.
We live in a world of docu-drama, in which the ‘real life’ story is held in higher regard than fiction. Where does that leave the imagination? Five writers grapple with reality and fiction, and the alchemical process of turning life into art.
A delightful selection of Priestley’s essays, drawing on five decades of his writing. Priestley defined the essay as a ‘prose masterpiece in miniature’ and understood that to perfect the form, the essayist had to stand ‘naked and shivering’ in the very first sentence.
Cyclogeography is an essay about the bicycle in the cultural imagination and a portrait of London seen from the saddle. The bicycle enables us to feel a landscape, rather than just see it, and in the great tradition of the psychogeographers, Day attempts to depart from the map and reclaim the streets of the city.
Cyclogeography is an essay about the bicycle in the cultural imagination and a portrait of London seen from the saddle. The bicycle enables us to feel a landscape, rather than just see it, and in the great tradition of the psychogeographers, Day attempts to depart from the map and reclaim the streets of the city.
In this revealing collection of personal essays, renowned essayist, Phillip Lopate, shares his unique view on the big subjects of parenthood, marriage, sex, friendship, and ‘the nail parings of daily life’. At turns funny, tender, and searingly honest, he searches with a cool eye for that elusive truth about himself and the world.
The essays in this collection are, of course, not merely concerned with the self. Woolf does also discuss the rights of women, the revolutions of modernity, the past, present and future of the novel. She is eloquent on social inequality and the agony of war.
